My work explores the relationship between Critical theory and football chants.
With influences as diverse as Machiavelli and John Lennon, new synergies are synthesised from both constructed and discovered layers.
Ever since I was a student I have been fascinated by the essential unreality of meaning. What starts out as vision soon becomes corrupted into a manifesto of temptation, leaving only a sense of chaos and the inevitability of a new synthesis.
As momentary forms become reconfigured through frantic and diverse practice, the viewer is left with an epitaph for the darkness of our future.